Dispatch II · The Gold of Troia
Inside the museum's gold cases: filigree laid coil by coil, wreaths thin enough to tremble, and rings that were setting stones four thousand years before us.
Journal
Travel writing, site notes, and behind-the-scenes accounts from the making of each series. These are the places the pieces come from.
Inside the museum's gold cases: filigree laid coil by coil, wreaths thin enough to tremble, and rings that were setting stones four thousand years before us.
Notes from Hisarlık, nine cities stacked beneath the Çanakkale plain, the walls of Ilion, and how the discipline of Troy still finds its way back to the studio.
Read →The hands that cast every Series I piece, their inherited tools, and the unwritten rules of the oldest workshop floor in Istanbul.
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